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Her songs’ twists and turns are achieved naturally — she produces in a stream-of-consciousness style, never going back and editing or rearranging earlier parts on the track. An alliterative conceit binds together what have become known as the “F shows”: “Frequency” in 2005, “Flow” in 2008, “Fore” in 2012.
Now, the museum has decided the climate is right to release a new batch of talent from the continual prospecting that is part of its mission.
But it’s a shallow grave, and the allegory rises with a vengeance to transform the film into something entirely unexpected in its final minutes, a truly apocalyptic farewell overture that’s the equivalent of smashing all the guitars and kicking in all the speakers.
Tectonic Theater Project, long at the forefront of documentary drama, opens a new show this week about the underexplored subject of life with autism.
K.; the third is from Iceland — met in art school and formed a fake band as a fun side project.
Not long after, that “fake” band turned into the very real project Dream Wife.
The result is a gripping and bewildering journey through Burton’s mind.
shows them as struggling stage actors and roommates, traces their swift ascent to stardom, and shows how they anchored each other’s lives.
To mark the publication of Eyman’s book, Film Forum is running a massive retrospective of both careers, from October 27 through November 16.
Three musicians from separate backgrounds — two are from different areas of the U.
“Fictions,” featuring work by nineteen artists from around the country, and with a strong proportion of installation and work in unorthodox materials, began in September and runs through early January.
—In some ways, Downtown Boys are a classic rock ’n’ roll success story.